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Baroque · fugue

Fugue No. 16 in G minor, BWV 861 (WTC I)

Johann Sebastian Bach · Level 8, estimated · With Maestro

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The short answer

A manuscript from 1722, a printed afterlife around 1800. Fugue No. 16 in G minor, BWV 861 (WTC I) is a fugue by Johann Sebastian Bach from the Baroque era. PlayPiano puts it at Level 8, an estimate.

On this page
  • fugue
  • Baroque
  • Key of G minor
  • stormy

Also known as Das Wohltemperierte Clavier I, Fuga XVI.

History

Fugue No. 16 in G minor, BWV 861 (WTC I) belongs to the first book of The Well-Tempered Clavier. Bach's collection fair copy is dated 1722. For many years its life was in manuscript: around 1800, publishers in Zurich, Bonn and Vienna/Leipzig brought competing editions into print. That long journey from manuscript to publication is part of this piece's wider history.

Sources

What to listen for

  1. A lower contour starts before the upper answer

    The opening begins below while the upper staff rests, then a related upper response joins. Follow the lower contour into the fuller texture.

  2. A deeper entry adds another moving line

    The bass enters after rests as upper quick notes overlap held strands. Hear the new low line within the continuing exchange.

  3. High responses lead into descending sequences

    Higher upper entries move into downward sequences and lower answers. Hear the larger descent across the interlocking voices.

  4. Renewed lower motion supports the close

    A later lower opening-related contour accompanies renewed upper movement. Hear those familiar gestures converge on the final held G-based sound.

How to practise it

Early semitone changes and a downward leap; delayed higher entry over the continuing low line.

  1. Sing the small 62-to-63 change, prepare the drop to 55, then connect the lower semitone return.
  2. Count through the earlier line and rehearse adding the higher entry without losing the lower sound.

How hard is it

Level 8, estimated

Interwoven contrapuntal lines require disciplined releases, clear subject projection and coherent harmonic pacing.

About this piece

Interpretive sketch of Johann Sebastian Bach, an illustration and not a verified likeness
An illustration, not a portrait
Licence
Public Domain
Source
mutopiaproject.org

More by Johann Sebastian Bach

  1. Prelude in C major, BWV 846Level 4, estimatedOpen to everyone
  2. Two-Part Invention No. 1 in C major, BWV 772Level 5, estimatedWith Maestro
  3. Italian Concerto in F major, BWV 971: III. PrestoLevel 9, estimatedWith Maestro

With Maestro

Play it, slow it down, hear where you land

Early semitone changes and a downward leap; delayed higher entry over the continuing low line.

Practise it in PlayPiano