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Baroque · fugue

Fugue No. 24 in B minor, BWV 869 (WTC I)

Johann Sebastian Bach · Level 9, estimated · With Maestro

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The short answer

A manuscript from 1722, a printed afterlife around 1800. Fugue No. 24 in B minor, BWV 869 (WTC I) is a fugue by Johann Sebastian Bach from the Baroque era. PlayPiano puts it at Level 9, an estimate.

On this page
  • fugue
  • Baroque
  • Key of B minor
  • melancholic

Also known as Das Wohltemperierte Clavier I, Fuga XXIV.

History

Fugue No. 24 in B minor, BWV 869 (WTC I) belongs to the first book of The Well-Tempered Clavier. Bach's collection fair copy is dated 1722. For many years its life was in manuscript: around 1800, publishers in Zurich, Bonn and Vienna/Leipzig brought competing editions into print. That long journey from manuscript to publication is part of this piece's wider history.

Sources

What to listen for

  1. A chromatic inner entry gathers lower voices

    The alto introduces a chromatic line and held response before lower entries join. Hear the changing notes within the longer initial gesture.

  2. The upper entry completes a fuller texture

    The delayed soprano entry joins interlocking quick sequences. Hear each strand continue through individual rests rather than expecting all four voices constantly active.

  3. Held sounds contrast with changed-register motion

    Running sequences change register and altered pitches while voices alternate held notes, rests and renewed entries. Follow one strand through those shifts.

  4. Low F-sharp supports the final responses

    A long low F-sharp carries the last entry responses and upper cadential motion. Hear the active layers settle into the held B-minor close.

How to practise it

Follow the chromatic alto entry independently before the later soprano arrives.

  1. Sing the first eight-note contour, then practise E/D-sharp and F-sharp/E-sharp pairs separately before reconnecting.
  2. Count toward the soprano entry while listening to the alto, then introduce B/A/F-sharp as a fresh line.

How hard is it

Level 9, estimated

Chromatic subject writing and overlapping voices require exact pitch control, subtle balance and sustained expressive tension.

About this piece

Interpretive sketch of Johann Sebastian Bach, an illustration and not a verified likeness
An illustration, not a portrait
Licence
Public Domain
Source
mutopiaproject.org

More by Johann Sebastian Bach

  1. Prelude in C major, BWV 846Level 4, estimatedOpen to everyone
  2. Two-Part Invention No. 1 in C major, BWV 772Level 5, estimatedWith Maestro
  3. Italian Concerto in F major, BWV 971: III. PrestoLevel 9, estimatedWith Maestro

With Maestro

Play it, slow it down, hear where you land

Follow the chromatic alto entry independently before the later soprano arrives.

Practise it in PlayPiano