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Romantic · polonaise

Polonaise in G minor (1817)

Frédéric Chopin · Level 5, estimated · With Maestro

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The short answer

A polonaise from 1817. Polonaise in G minor (1817) is a polonaise by Frédéric Chopin from the Romantic era. PlayPiano puts it at Level 5, an estimate.

On this page
  • polonaise
  • Romantic
  • grand

History

The Society dates this G-minor polonaise to 1817 and records Countess Victoire Skarbek as its dedicatee. Those two facts place the little work early in Chopin's catalogue and preserve the named dedication without inventing an occasion for its composition.

Sources

What to listen for

  1. Chords receive a decorated response

    The chordal opening leads to decoration. Hear the smaller notes as a response to the broader gesture rather than a separate flourish.

  2. A familiar contour changes its pitch groups

    Opening-related material returns in different pitch groups. Listen for the familiar shape through its changed colour.

  3. Higher gestures sit over quicker lower motion

    Higher phrases sound above faster lower figures. Hear the two layers distinctly as the continuation develops.

How to practise it

Keep chord entries coordinated and let their written rests make room.

  1. Make chord notes enter together at a comfortable pulse.
  2. Release into the written rests.
  3. Keep the quicker third-measure rhythm clear rather than simply louder.

How hard is it

Level 5, estimated

Polonaise rhythm, chordal coordination and clear melodic articulation need controlled accents and steady pulse.

About this piece

Interpretive sketch of Frédéric Chopin, an illustration and not a verified likeness
An illustration, not a portrait
Collection
At the dance floor
Licence
CC0
Source
musescore.com

More by Frédéric Chopin

  1. Prelude in A major, Op. 28 No. 7Level 5, estimatedWith Maestro
  2. Nocturne in E-flat major, Op. 9 No. 2Level 7, estimatedWith Maestro
  3. Ballade No. 4 in F minor, Op. 52Level 10, estimatedWith Maestro

With Maestro

Play it, slow it down, hear where you land

Keep chord entries coordinated and let their written rests make room.

Practise it in PlayPiano