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Late Romantic and Impressionist · prelude

La cathédrale engloutie, Préludes I No. 10

Claude Debussy · Level 8, estimated · With Maestro

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The short answer

A prelude Debussy took to the concert platform. La cathédrale engloutie, Préludes I No. 10 is a prelude by Claude Debussy from the Late Romantic and Impressionist era. PlayPiano puts it at Level 8, an estimate.

On this page
  • prelude
  • Late Romantic and Impressionist
  • dreamy
  • grand
  • block chords
  • hand independence
  • voicing

Also known as CD 125 No. 10; Claude Debussy: La cathédrale engloutie (The Submerged Cathedral); FL 125 No. 10; L. 117 No. 10 (older Lesure numbering); La cathédrale engloutie: Préludes I No. 10; Préludes, Livre 1 No. 10.

History

La cathédrale engloutie was among the preludes Debussy performed in Paris in May 1910. The cited accounts disagree on the day. Jane Mortier performed the complete first book at the Salle Pleyel on 3 May 1911.

Sources

What to listen for

  1. Wide, sustained sonorities

    A high D-G-D chord and a low G-D-G chord frame moving inner sonorities. Listen to the wide space between registers while the inner chords rise.

  2. The sound turns inward

    The upper staff falls silent while a low line moves around G and D beneath the sustained bass sonority. Notice the contrast with the opening ascent.

  3. The ascent returns with a new bass

    The high chord and rising inner sonorities return, now above a low F-C-F foundation. Listen for the changed bass colour underneath the familiar upper shape.

  4. A low answering gesture

    The upper staff is silent again. The low moving line now circles F and C. Let the sustained sound and the shorter notes remain distinct.

How to practise it

Keep long outer layers distinct from the moving chord groups.

  1. Coordinate the moving chord groups.
  2. Keep long outer tones connected.
  3. Notice the changed lower foundation.

How hard is it

Level 8, estimated

The proposed advanced performance target focuses on differentiated sonority and a coherent long-range arc, rather than achieving correct notes at one undifferentiated volume.

About this piece

Interpretive sketch of Claude Debussy, an illustration and not a verified likeness
An illustration, not a portrait
Collection
French piano colors
Licence
CC0
Source
musescore.com

More by Claude Debussy

  1. The Little Shepherd, Children's Corner No. 5Level 5, estimatedWith Maestro
  2. Clair de lune, Suite bergamasque, L. 75Level 8, estimatedWith Maestro

With Maestro

Play it, slow it down, hear where you land

Keep long outer layers distinct from the moving chord groups.

Practise it in PlayPiano