The short answer
A violin caprice finds a piano voice. Concert Étude, Op. 10 No. 3 (after Paganini Caprice No. 10) is an etude by Robert Schumann from the Romantic era. PlayPiano puts it at Level 9, an estimate.
- etude
- Romantic
- stormy
Also known as Concert Étude after Paganini's 10th Caprice - R. Schumann Op. 10 No. 3.
History
Schumann transformed Paganini's violin Caprices into piano studies. His Op. 10 set is freer and more concert-minded than the earlier Op. 3 set; No. 3 draws on Paganini's Caprice No. 10 in G minor.
Sources
What to listen for
Ornamented attacks and faster replies
Ornamented upper attacks alternate with chordal responses and quicker lower replies. Listen for the different lengths and textures in that exchange.
A lighter running continuation
The edition marks the running continuation scherzando before a backward repeat. Hear its shorter sequences as a change from the opening attacks.
The opening-related figure returns
The two-flat signature and opening-related figure return in writing. Recognise the contour after the denser changed-key sequences.
A high expansion settles downward
Higher-register expansion gives way to descending replies and a held final G sonority. Hear the larger descent lead toward the last sustained sound.
How to practise it
Keep the octave descent light before the texture exchanges roles.
- Practise the octave descent in short overlapping sections at a soft volume.
- Practise the lower moving figure alone, then add the quieter held upper chords.
- Connect the examined gestures slowly while keeping the stated layers distinct.
How hard is it
Concert-study passagework requires agile coordination and sustained control while preserving musical phrasing.
About this piece
- Collection
- The study studio
- Licence
- CC0
- Source
- musescore.com
More by Robert Schumann
- Album for the Young, Op. 68 No. 1, MélodieLevel 2, estimatedOpen to everyone
- Träumerei, Kinderszenen Op. 15 No. 7Level 6, estimatedWith Maestro
- Toccata in C major, Op. 7Level 10, estimatedWith Maestro

